Recording Artist
Reviews
Released May 15th, 2026
to listen: andymitran.hearnow.com
A Quiet Arrival
More Now Everywhere
Reviews
Thank you so much for sharing your music with us — it truly means a lot.
I listened to More Now Everywhere, and I want to say that the atmosphere you’ve created feels very honest and immersive. There’s a deep sense of space and reflection in these pieces; you can really hear how carefully and thoughtfully the album was shaped over time. It doesn’t feel rushed — it feels lived-in.
The influence you describe comes through in a very natural way. The music carries that same sense of presence and quiet awareness — it invites you to slow down and just exist inside the sound for a while. That’s something we really value.
This kind of sound is a great fit for our night broadcast. It has exactly the mood we look for: calm, introspective, slightly meditative, but still emotionally engaging. It works beautifully as part of a late-night listening experience, where people can disconnect and drift a bit.
Thanks again for trusting us with your work. We’d be happy to include it in our эфир.
Best regards,
Tom
Your ELF Radio (Moscow)
After a long and illustrious career in music - including being half of the award-winning duo, Al Jewer and Andy Mitran - Andy Mitran has released his first solo album, More Now Everywhere. Subtitled “Private chambers of Presence,” Andy created the music over a two-year period and plays a wide variety of instruments that include pianos and keyboards, harp, guitars, synth, percussion, bass, brass, marimba and so much more. Only one track on the album (“Memory Road”) includes another artist - Kraig McCreary on guitars. Otherwise, Andy does it all! Quoting the artist:
“These pieces move through quiet inner spaces. Each track opens a different chamber of the present moment, revealing how presence shifts, unfolds, and lingers inside us all. This is not music to follow, but a place to enter. Step inside. Be here.”
The album includes eleven original tracks with a total playing time of a little more that an hour, giving the music plenty of time to work its magic! I usually have no trouble staying awake and focused while reviewing even the most ambient and soothing kinds of music, but this album is so warm and relaxed that I fell asleep several times while listening to it! I’m thinking that maybe it should be required listening for many of our world leaders and decision-makers!
More Now Everywhere begins with the very “fluid” “Shape Shifting” that gently but consistently changes form throughout the piece. There is an amazing YouTube video that illustrates the music beautifully. “Ocean and Sky” is where “boundaries dissolve” and Andy utilizes a fascinating variety of instruments and gentle sounds to tell the story. “Breakers” is somewhat more rhythmic and melodic, keeping the overall feel of the music very relaxed with piano, bass, drum set, Rhodes electric piano, marimba, guitars and synth. The music makes it easy to imagine a quiet surf running up the beach and then receding back into the ocean only to do it again and again. “Emergence” is a favorite with its varied instrumentation and gently mysterious mood: “From quiet depths, a form gradually reveals itself, shaped by patience, attention, and time.” In the liner notes, “Isolata” is described as “a solitary space where separation and connection exist together, offering stillness without isolation.” Slow, smooth and very peaceful, the instrumentation is again varied. “Memory Road” features Kraig McCreary on guitars and has the gently swaying rhythm of a peaceful slow dance in the moonlight - also a favorite! I really like “More Than Once,” too, with its more exotic flavor, feelings of optimism and the message that “repetition carries new meaning each time.” If you haven’t melted into a puddle yet, “The Woven Path” ought to do it! It’s music at its magical best, suggesting serene images of whatever makes you calm, relaxed and ready to move forward. “The Last One” is, indeed, the last track on the album and is introduced as “a quiet conclusion that settles without finality, allowing the album to gently come to rest.” Ahhhhhh….
More Now Everywhere is available to stream and download from Amazon and AppleMusic/iTunes as well as many streaming platforms including Spotify and Pandora. Very highly recommended!
Kathy Parsons
More Now Everywhere is Andy Mitran’s first solo venture. The
focus is on the present moment, or, as the reference to subtitles
suggests, Private Chambers of Presence. His inspiration comes
from The Power of Now, a book by Eckhart Tolle, whose writing
has had a profound impact on him. So much so that he
frequently revisits the book, and now his ultimate tribute is the
eleven tracks on this recording.
I would consider this recording to be Contemporary New Age
Instrumental World Fusion.
I believe including a list of all the instruments on each track will
help one realize how complex this can be and, in turn, appreciate
how it all comes together.
These are complex compositions with the longest running at 7:48 (The Woven Path) and the
shortest at 4:11 (Breakers). You quickly realize that this music is much more than time for
relaxation and introspection; it can be a tool for meditation, taking those aspects to a deeper level
of understanding. This is what any artist creating this type of music could hope for.
“Shape Shifting” begins, and several layers of sound emerge, featuring piano, harp, synth,
electric guitar, acoustic guitar, and synth bass. The elegance of the piano is enhanced by the
other instruments, as its shape shifts into your consciousness, and your journey of self-
transformation begins, living in the moment within the music.
“Ocean and Sky” is an immediate connection with nature and all its wonders. This track includes
acoustic hand percussion, marimba, djembes, fretless bass, guitars, synths, choir, Rhodes
electric piano, and brass. The fretless bass always catches my ear in a poignant way; its sound is
unmistakably unique. The brass adds a worldly element to all the other aspects. And the acoustic
hand percussion gives a certain Latin flavor along with marimba and djembes. This is definitive
instrumental fusion with a core new age concept and belief held by the artist.
“Atmosphere” is composed of synths, guitars, marimbas, and an electric Rhodes piano. This
sounds a bit simpler than the previous tracks; however, its layers are quite beautiful. This
contrasts with moving from one style and trajectory to another without losing the main concept
and still holding your attention. I think the track title is fitting for the music in many ways and
exemplifies how music is another atmosphere we can all enjoy and gravitate toward.
“Breakers” uses piano, bass, drum set, Rhodes electric piano, marimba, guitars, and synth. It
begins with a soft piano, then morphs into a jazz-inflected rhythm and sound. The pace is slow to
medium with enhancements from each instrument placed perfectly as the piano takes the lead.
The bass is quite prominent as well. And let’s not underestimate the importance of the synths on
every track. The marimba can also transform a track into a Latin-influenced jazz sound; however,
that is only one part of the overall sound here.
“Emergence” has piano, harp, synth bass, synths, guitars, strings, marimba, brass, reeds, bells,
and hand percussion. The strings lend a beautiful ambiance to the mood and tones being set by
the other instruments. The reeds and bells are new and add to the sound’s complexity. By this
time, many things have likely emerged from within thanks to the guiding light and principal
thought behind this music.
“To See” includes the piano, synths, strings, bass synth, guitars, brass, bells, and choir. Along
with what you have come to expect and enjoy throughout these tracks, the wordless choir enters,
giving the track a heavenly beyond-the-realm essence. This is a logical transition from the
previous track, as you emerged and now see everything clearly. The brass adds a nice touch, as
do the strings and the strong bass lines. The subtle guitar has its place as well, merging with this
incredible arrangement of music, colors, and textures. Yet another beautifully composed piece of
instrumental fusion.
“Isolata” is Italian for “Isolated.” Synths, accordion (makes its debut), percussion, strings, brass,
guitar, synth, and basses are included. This shifts in mood and meaning significantly based on
the title. However, it doesn’t necessarily imply something sad; being isolated may just be what
you need to focus on, restore your energy, and reset for another day. The strings (cello
specifically) are strong here, as the accordion adds another element and texture, offering a color
heretofore unexperienced. This made total sense to me because of the track title and the way the
meaning can differ for each listener.
“Memory Road” features the piano, drum set, acoustic bass synth, marimba, brass, synths, and
electric guitars, offering another entirely new twist to the overall sound. This is also a logical
conceptual transition from the previous track. As the isolated focus can lead you down the road to
memories. The piano sounds very bright and rhythmic, and the electric guitar lines have a definite
jazz sound as the other elements come into focus and, rather quickly, as all the others do. This
was one of my favorites for its melody and tempo.
“More Than Once” includes the frame drum, talking drum, udu, guiro, Chilean bombo, marimba,
synths, guitars, strings, reeds, brass, and acoustic bass. As you can see, additional elements are
coming into focus here, particularly in the percussion. Here is where the world-fusion sound
reaches its fruition in an exceptional way. All I could think of while listening was the jazz known as
the “Quiet Storm.” The combination of instruments, rhythms, color, and the cool breeze of jazz
and Latin influences flowing throughout brought me back to when I first discovered light jazz
fusion.
“The Woven Path” is significant in its meaning, and this time, the inclusion of Tibetan bowls brings
that to the forefront of the thought process. Also, the piano, concert harp, synth bass, synths,
brass, choir, and chimes and bells play their part in the ongoing development of this track. This is
the critical composition clocking in at 7:48. Its significance in word and deed cannot be
understated. The path of this music, from the beginning, brings you to this point near the end. The
piano, always there holding its own, as the beginning core instrument in several tracks, leads the
way as the others follow once again. The brass is smooth as it calls out to you, and it links the
other sounds quite nicely as it arrives at different junctures. The beauty and elegance of this
music shine again, as they have throughout, and with nearly eight minutes of running time, there
is not a moment when you feel there is nothing new to discover or to transition to.
This is literally “The Last One,” and the shortest track at 3:17. To end this musical journey, the
piano begins, then the cello joins, followed by added layers of viola, synth bass, harp, strings,
brass, and reeds. Short and sweet, compared to all the previous tracks, it seems fitting to close
this out with a briefer, more compact look at the distinguished artistry and multitude of talents at
one man’s command: Andy Mitran.
More Now Everywhere stands as a significant achievement and a truly remarkable debut solo
release. Stepping out of one’s comfort zone to pursue something entirely new—and allowing it to
evolve organically—requires courage, perseverance, and patience. After two years of dedicated
effort, the result is a work that not only showcases Andy Mitran’s talents but also rewards both the
artist and his audience.
Keith “MuzikMan” Hannaleck
More Now Everywhere
By
Andy Mitran
Written by
Steve Sheppard
I have been in rapture for years with the releases of Al Jewer and Andy Mitran, my first taking me all the way back to 2003 and the album Two Trees. They produce some of the finest, what could be, and sometimes more than often is alluded to is, as some of the best contemporary instrumental music on the planet in this modern age of ours, but when they go solo that effect doesn’t change one iota, as we are about to dive in deep with Andy Mitran and his solo album More Now Everywhere.
The opening piece of this 11 track release is entitled Shape Shifting, here you will find some of the most dreamy keyboard working you could ever wish for on this oasis of a composition, however one of my personal favourites would be the following offering called Ocean and Sky, with a fretless base and electric piano, magic is made here in a track that reminds of their joint release in 2018 called Transmigration.
That floating feeling stays with us on another favourite of mine called Atmosphere, the synth and guitar combo here, produced for me another incredibly palpable track, one that would stay in your mind for the whole day and take up residence, and in parts reminded me slightly of some of the more ambient aspects of the UK’s synth supremo Kevin Kendle at times.
With tracks like the effervescent Breakers, we have a charming driving offering, adding in a rhythmic drum, whilst on offerings like Emergence, room and space can be easily found for the listener, the delicacy of the harp here added an extra layer of calm, while the brass contained within offered a balanced composition one slowly becoming aware, in the most patient track off the release.
To See is nestled in the middle part of the album and has a truly ambient texture to its compositional structure, whilst Isolata adds a little extra rhythm and guitar into the mix with consummate ease, the synth work here is also clever and crafted well to fit with the overall theme.
The next track is a far differently styled piece, and I’ll think I will feature it in my smooth Jazz show next month, it is called Memory Road, this is magical, a walking bass starts us off and then a smooth jazz fused piece drives us home with delicate pertinent synths, and a stunning guitar performance from Kraig McCreary, made this piece for me one of the stand out tracks from the album.
In the deeper waters of the release we come across a globally infused creation called More Than Once and this thrilling arrangement of instrumentation manifests something quite enthralling, and utilising a frame drum, talking drum, udu, guiro, Chilean bombo, marimba, synths, guitars, strings, reeds, brass, and acoustic bass, now this is what you call the ultimate multi-instrumentational offering.
The penultimate narrative is entitled The Woven Path, this is where everything becomes interconnected, it is with ease the most spiritual piece of the release, with the ethereal sounds and soothing keyboard, which sets us up perfectly for the final chapter of the album entitled The Last One, how appropriate indeed, this clever and relaxing instrumental composition narrated by a commanding piano concludes things perfectly for the listener.
This is a special album, one can tell with ease that this entire collection of superior instrumental music comes from the heart centre of the musician, and he has to be applauded for that, he also cites one of our personal heroes in his final comments when he says, and I quote, “Lastly, I want to thank Eckhart Tolle for the valuable lessons about the power of the moment and creating a significant change for the better in my life”. I can only add to that saying More Now Everywhere by Andy Mitran is a guaranteed hit, and Andy you are here to enable the divine purpose of the universe to unfold. That is how important you are!
Precious Stones Has Arrived!
Released July 30th, 2025
to listen wherever you do - bit.ly/3Gm0kHv
Reviews
Precious Stones is a fascinating project by Al Jewer and Andy Mitran that features Hans Christian. The project began back in 2021 with the release of two singles “Emerald” and “Amethyst.” Four other singles were released, one each in 2022 (“Moonstone”), 2023 (“Topaz”), 2024 (“Sapphire”) and 2025 (“Aquamarine”). All three artists are multi-instrumentalists as well as composers, and they bring an amazing array of instruments as well as musical styles into all of their projects - including this one! The eleven tracks also feature Kraig McCreary on acoustic and electric guitars. Al Jewer plays silver flutes, Native American flutes, woodwind synthesizer, ocarinas, eBow guitar, singing bowl and percussion (and more!); Andy Mitran plays drums, percussion, synth bass, synth brass, guitar synth, marimba, harp and piano, plus a few others; and Hans Christian plays fretless bass and cellos. I think this quote explains the album well:
“We approached this project as sonic lapidaries, carefully shaping each track to reflect the inner light of an idea, a feeling, or a fleeting sense of beauty. Some pieces shimmer with serenity, others reveal unexpected depths. Each one, like its namesake, has its own texture, tone, and energy…. ‘Precious Stones’ is a journey through sound and soul - a celebration of the uniqueness that lives in both nature and human expression.”
Precious Stones begins with “Moonstone,” a piece that creates its own luminous glow. The four outstanding musicians created ethereal atmospheres that are set in motion by flowing, gentle rhythms and a lovely melody that weaves in and out. No one is the "star" on this piece and it flows seamlessly, soothing the mind and relaxing the spirit for a blissful seven minutes (almost!). “Amethyst” has more of a jazz vibe with a strong percussive beat as well as soulful flutes and guitars - magical! The artists have referred to “Sapphire” as “a layered exploration of a wakeful dream.” Christian’s cello takes the soulful lead on this one along with synths, flute, harp and Tibetan bowls. “Ruby” has Jewer on Native American flutes supported by synths, marimba, guitar and a variety of percussion instruments - I love this one! “Onyx” has a strong percussive rhythm behind what would be a very ambient setting otherwise. Slow, relaxed and mysterious, the various instruments seem to flow in and out of each other. “Opal” is a meditation on change as well as beauty that reveals itself in motion, not stillness. The music moves slowly and with grace with occasional flashes of the fire that make opals so intriguing. On “Topaz,” Andy performs the rhythmic bed and synth parts while Al and Hans carry on a dialog with wind synthesizer and cello. The piece has a Southwestern flavor and is relaxed and slightly melancholy with a strong pulse that keeps it moving forward - another favorite! “Aquamarine” is a shimmering, ambient piece that features Jewer on silver flutes and ocarinas; Mitran on marimba, piano, synths and orchestral brass; and Hans Christian on cello - a hypnotic combination that explores the sparkling gemstone's colorful connection to both the ocean and the sky.
Precious Stones is excellent from the first note to the last! It is available from Amazon, Apple Music/iTunes, Bandcamp, and on streaming services including Spotify and Pandora. I give it an enthusiastic both thumbs up!
Kathy Parsons
https://mainlypiano.com/reviews/al-jewer-and-andy-mitran-precious-stones
Relaxing. Rejuvenating. Inspiring.
That’s how I find the music of Andy Mitran. It’s the kind of music we can listen to all day and throughout the evening while working or relaxing.
Andy and collaborator Al Jewer are proud to announce their newest album, Precious Stones, and this one does not disappoint.
Andy says the album is crafted to offer a moment of stillness, beauty, and wonder. I found it to be powerful with songs that flow from one to another, yet each has a unique sound. Listen for yourself. I know you will enjoy the entire package.
My friend, Andy, has an extensive background in music. He is an award-winning musician, composer, and producer of ambient, New Age, and poetic songcraft with decades of experience.
His music is played across multiple formats, including Spotify, music radio stations, commercials, documentary films, network and cable television, satellite radio, and other streaming services. I’m proud and pleased when I hear one of his tunes pop up on the Xfinity music station.
If you look at Andy’s other albums, you’ll find countless songs that were also created with his friend, Al Jewer. Together, they make incredible sounds that will soothe your soul.
©Midwest Mary
Artist: Al Jewer and Andy Mitran feat. Hans Christian
Title: Precious Stones
Genre: New Age Instrumental-World
Release Date: July 30, 2025
Al Jewer, Andy Mitran, and Hans Christian have released several tracks from their upcoming album, Precious Stones. It served as a good primer for the full release, with its focus on exactly what the title suggests.
As a boy, I was captivated by gems, rocks, and minerals. Listening to Precious Stones, I found myself transported back to those fond memories. Each track aroused the image and colors of a specific gem, creating a personal connection that made me feel more connected and involved in the music.
“Moonstone” begins with a multitude of instruments merging to create an atmospheric and textured soundscape. The synth, flute, cello, and interesting-sounding bass contribute to the track's originality. Additionally, there is an acoustic and an electric guitar. Many more additions help make the track unique and complete. It’s a fine way to start the album. The track shines with a quiet inner light just like the Moonstone.
“Amethyst” is one of my favorite gemstones. The fretless bass is used this time, and it has a unique sound. The woodwind synth adds a nice layer, complementing the various percussive elements, synth guitars, and cymbals, which lend a world sound to the mix. I found it very relaxing, like a cool drink on a hot summer day (much like we are experiencing lately in the Northeast).
With “Sapphire,” you will hear the flute cloud, Tibetan bowls, synth bass, concert harp, and cello. The cello sounds like it's longing for something (which it typically is); however, it remains an asset and is beautiful. The bass has a resonating sound to it, and as all the elements come together, it has a cool blue feel, just like the gem the song is dedicated to. The way the synth sound is used is brilliant.
The first thought of “Ruby” is red. Red is generally a color associated with strong emotions, such as anger. This music is on the opposite end of that spectrum. Native American flutes, Synths, marimba, djembes, frame drum, talking drum, synth brass, udu, hand percussion, and acoustic guitar all meld to make a gorgeous layer of atmosphere and color. The eye-catching color of the gemstone is evident here.
“Emerald” has a green and serene color, with depth and brilliance all its own. Several types of cellos are used in combination with various instruments, including flutes, electric pianos, synthesizer bass, and marimbas, among others. I am thinking of the lush greens of Ireland while listening. The track, as I would expect, flows nicely, and you find solace and relaxation in it.
“Onyx” is a word that sounds strong. Instruments like triple-chamber ocarinas and Chilean bomb add to the uniqueness and lovely atmosphere. The percussive elements are strong here, as the other instruments sound brighter and cleaner, supporting them. It felt like I was walking somewhere, like the remote mountains in the Himalayas, searching for a mystical place. This was one of my favorites.
The “Diamond” has always been the most sought-after and costly addition to one's gem collection. Here, the hand percussion is subtly added, complementing the electric guitar's emphasis. Some lovely piano notes float around as the flutes add their ambiance. Synth brass and bass are added components and layers. The marimba and djembe are also essential parts of the puzzle. It all shines brilliantly, like a diamond with its many facets —the music mirrors that.
“Obsidian” features the Native American flute, singing bowls, and an e-bow guitar. The colors of the gem are deep and black as night, and the music has a mysterious quality hovering around it, while the flute echoes and resonates, drawing you in with its hypnotic effect.
“Opal” evokes the thought of fire and a multitude of colors, reaching out to you and engaging your imagination as you gaze at its beauty. It is one of the more unique gems due to its luminescent, multihued colors. The flute cloud, koto, singing bowls, and the silver flute cloud are a feature. The synth layers add texture and depth. Listening gives you the incentive to relax and reflect. The track time is 7:38, allowing the listener not only to relax but also to use the piece for a meditation session.
The “Topaz” can have many different colors; however, the first that comes to mind is brown. Indian percussion, including the udu, frame drum, and drum synths, as well as cello and pizzicato cello, are among the interesting tools used to create this auditory journey. The cello took the lead on this track, with the other parts coming in elegantly and effectively. The woodwind synths are elemental as well, creating those smooth and soft layers that allow you to join in consciously with purpose.
“Aquamarine” closes out this fascinating album of musical art and sound. The name represents the colors, as you look at this gemstone, the thought of the ocean and sky comes to mind immediately. The piano, cello, and flute establish a firm footing here, as the concept of full relaxation and meditation still holds precedence in this track and all the others. The beauty of each gemstone is the primary focus, and the music elevates that perception to a higher level. I especially appreciate the triple-chamber ocarinas making their appearance in this last track.
I am genuinely amazed by the diverse range of instruments used in each track on Precious Stones. And because of that, they all stand out with their own unique identity, just like the gems that are being represented.
This was a transformative listening experience, enriched by the subject matter and my familiarity with it. It moved me differently, shifting my focus between the brilliance and color of the gems and how the music beautifully complemented the essence of each gem, inducing profound feelings. The thoughts and feelings that arose were like a third element, enriching the entire experience and leaving me inspired and enlightened.
Keith “MuzikMan” Hannaleck-NAMR Founder
July 18, 2025
Precious Stones By
Al Jewer & Andy Mitran
Written by
Steve Sheppard
Today I was in for a cornucopia of multi instrumental delight with the release of the brand new, and much awaited new album from Al Jewer & Andy Mitran, entitled Precious Stones, many of the tracks were of course familiar to me over the preceding months and years before as singles, but it was absolutely glorious to see them all in one place now in 2025, I have longed for a truly good crystal, precious stones album, to bring the entire concept up to date, and I am pleased to say this release nails it.
The classy multi instrumental pastiche of utter quality contains no less than 11 sublime pieces, that look at various gems that we have loved and adored for a lifetime, the duo are joined by bass and cello supremo Hans Christian on many of the compositions, a delight that adds a multitude of layers to each construction he performs on.
The opening foray is entitled Moonstone ft Hans Christian, a sumptuous layered manifestation of a mysterious feminine energy can be found here, the fretless bass offers so much depth, whilst the keyboards, the lightness and compassion offsets an almost Eastern motif with the slight percussive beat and a light crescendo.
Many of your favourite offerings are here, the delicate Sapphire ft Hans Christian, with its sensitive chimes, strings and hovering intensity, whilst tracks like Emerald ft Hans Christian, one of my personal favourite stones, gifts each and every listener a soft piano and keyboard reverie with a deepening cello, adding an in depth nuance to the overall narrative of the creation.
In the second half of the album we find the sparkling reverie of Diamond, this is a crafted manifestation, raising the rhythm slightly, but holding its glistening musical body in an instrumental cohesion, one supported by a fluent guitar performance by Kraig McCreary, and an energetic but melodic piano of Andy Mitran.
There literally is something for everyone here on this incredible album, tracks like the deeply meditative Obsidian, or the soothing refrains of another favourite of mine in Opal, there all here to bring a true cathartic experience for the listener.
The last two tracks both features the skill set of Hans Christian, the first of which is our penultimate offering entitled Topaz, this track includes the unusual, but delightful use of Al Jewer on woodwind synthesizers, whilst our last and concluding manifestation entitled Aquamarine, is a vast reservoir of tone and timbre, one that brings our journey to an end in the most luxurious of ways.
This is one of those albums that has been completely worth the wait, each and every composition has been carefully crafted to bring the listener a quality multi instrumental experience, a blissful encounter of great joy, and one must report that so gladly that Precious Stones by Al Jewer & Andy Mitran is an intelligent and well researched release, that finally brings our search for classy new age music with regards to gem stones to an end, this release is the one that makes our voyage through Crystals via music complete, and created in such a beautiful way as well
Eric Athoff 25-08-24
posted on ReadJunk.com
There’s far too much noise in our day-to-day lives and not enough calm reflections. Thankfully Al Jewer and Andy Mitran have some soothing songs that, whether they serve as ambience or focus, help to shut off the mind-train for a little while (with the help of Hans Christian on cello).
“Moonstone” has Jewer sailing pleasantly up the scales with his flute while Mitran provides synth magic and Christian serving as the bass foundation of it all. “Amethyst” follows in a rather similar, peaceful vein, and “Sapphire” feels particularly New Age-y (i.e., best experienced while meditating in a quiet setting). “Diamond” stands out for its piano work and upbeat feel. For my money, the most relaxing tunes may be “Obsidian” and “Opal.” Late-album entries “Topaz” and “Aquamarine” keep the vibe chill along with all those other Precious Stones.
This is the type of music made for relaxing, meditating and turning off the type-A brain. Thankfully Jewer, Mitran and Christian have come to the rescue.
Notable Tracks: Moonstone, Sapphire, Diamond, Obsidian, Opal
Overall rating: 4 Stars
New single from
Al Jewer & Andy Mitran
Aquamarine is #1
More great news from One World Music Radio,
Aquamarine topped the February singles chart at
Number 1!
It is always an honor to have a place on this chart.
Written by
Kathy Parsons for
Mainly Piano.com
"Aquamarine" is the sixth single in the "Precious Stones Series" by Al Jewer and Andy Mitran with Hans Christian. This shimmering, ambient piece features Al Jewer on silver flutes and ocarinas, Andy Mitran on marimba, piano, synths and orchestral brass, and Hans Christian on cello - a hypnotic combination that explores the sparkling gemstone's colorful connection to both the ocean and the sky. It's a fascinating ensemble that works incredibly well as it soothes and relaxes - and who couldn't use a double-dose of that these days? This piece will also be included on a full-length album expected to release in the summer of 2025 (can't wait!).
Written by
Steve Sheppard for
One World Music Radio
oneworldmusicradio.com
The luxurious tones of this brand new single by the well-known new age music partnership of Al Jewer & Andy Mitran is deeply palpable and also containing the lush energies of the supreme cellist Hans Christian, Aquamarine is sure to be a winner, but there is something quite moving in this latest release that frees the emotions to leave a sanctuary of peace, calm and serenity for the listener.
The combination of these three instrumentalists recently gave us Sapphire, another stunning reverie, so it is good to see this theme of musical interpretations of crystals continue and flourish, in a meditative and soothing way.
The gentleness of the opening is delightfully pleasing, utilising soft piano and flute to ease us into an incredible musical experience, the introduction of Christian adds a whole new layer to the composition, and his cello delivers a touch of classical toning to the overall structure of the arrangement, even the marimba played by Mitran has a calming touch to it.
Jewer’s comforting performance on flute is wonderfully lulling, and without doubt this is one of those singles you could leave on repeat and never get tired of, as such, this textured tapestry of tone and timbre will doubtlessly become a much desired moment of listening time from fans and followers alike, and a very big chart position must also be glistening on the horizon for Aquamarine by Al Jewer & Andy Mitran ft Hans Christian.
By: Keith “MuzikMan” Hannaleck-NAMR Founder
For New Age Music Reviews, January, 2025
Al Jewer & Andy Mitran, featuring Hans Christian, continue their gemstone releases with “Aquamarine.” The gem connected to the ocean and sky is beautiful and mystical as you gaze into the crystal. The music evokes a clear and crystalline sound to reflect that inner beauty. The cello provides the steady line to follow as the flutes, ocarinas, Marimba, piano, synths, and orchestral brass follow and intermingle for a rising yet relaxing sound. The three men utilize all their talents and instruments to significant effect in “Aquamarine,” which is just under six minutes of superb instrumental contemporary new-age blissfulness. I enjoyed how the Marimba and ocarinas added a distinct worldly flavor when they came into focus. Six Minutes is a reasonably long track when listening to the complete album. However, with the track so stunning and abundant to your senses, it could have gone on longer. It is interesting how the mind and expectations change when there is just one track to focus on. Take a moment to listen to the stream and see if you agree!
Credits: Al Jewer - Silver flutes, ocarinas Hans Christian - Cello Andy Mitran - Marimba, piano, synths and orchestral brass “Aquamarine” was released on January 15th, 2025. Websites: http://www.al-jewer-and-andy-mitran.com/ / https://www.hanschristianmusic.com
Written by
Steve Sheppard
One World Music Radio
The duet of Al Jewer & Andy Mitran have been making their way through a musical catalogue of crystals for a while now, and each and every track has been a redolent subject matter of the very own energetic signature of each crystal, when of course you add the illustrious talents of Hans Christian into the mix, you are bound for ambient glory.
Here on this new single entitled Sapphire we have one of my personal favourites thus far, and speaking as one who has studied crystals I would say without doubt that this composition strikes the right tone for this gloriously beautiful object. The handsomely layered multi-instrumentalism by this team really nails every piece that they take on, and within this new single we have a delightfully deep cello of Christian, one that flows like the ever onward motion of a slow river of sound.
Al Jewer on flute always manifests something utterly transcendent, and on this new release that is raised a notch or two along the way and with the lush and textured synth pads of his long standing partner Andy Mitran, we have a piece that is deeply attractive. Sapphire is seen as a great curative crystal, and carries a healing vibration that is beneficial to the mind, bringing order and clarity where there is confusion, something the entire world needs now I would say, and with the release of this new offering from this trio of musical greatness, I have a sense, an energetic hint, that Sapphire by Al Jewer & Andy Mitran ft Hans Christian will be a power to be reckoned with in the charts in the weeks to come.
By: Keith “MuzikMan” Hannaleck-NAMR Founder
For New Age Music Reviews, February 8, 2024
Al Jewer and Andy Mitran released their new track single today titled "Sapphire."
Al Jewer (Flutes), Hans Christian (Cellos), and Andy Mitran (Synths) combine their musical talents to formulate a stunning cornucopia of sound and color.
The sounds of a contemporary new age and ambient effort merge to signify the perfect marriage of sounds. With the help of their dear friend Hans Christian, who provides his cello, the track takes on an element of emotion that only that instrument can bring to the forefront. The flutes and synths are the layers for the cello to instinctively move into seamlessly, making the track a beautiful gem as the dedicated stone.
The "Sapphire" shines with perfect coloring, hues, and precision cuts, enhancing its beauty, as identified in this instrumental piece.
As Mother Earth delivers these beautiful gems, the musicians involved in the music put their talents into it and give it back to a listening audience. As usual, the experience of this music is lovely, and you will want to hear it more than once!
"Sapphire" sounds like a truly enchanting piece of music, with its blend of flutes, cellos, and soothing synth pads. The way you describe it as a dreamy tapestry that evokes calm and peaceful images is simply captivating. We are certain that our audience will be transported into a wakeful dream as they listen to this layered exploration.
We wish you all the success with the release of "Sapphire" and will put it into rotation as soon as possible. Stay well, keep creating amazing music, and know that we are here cheering you on every step of the way.
Warmest regards,
Tom
ELF Radio Moscow Team
Written by
Steve Sheppard from One World Music Radio
Al Jewer and Andy Mitran are back with their musical companion Hans Christian to bring us a fourth single, and a continuance of their journey through the world of scared gems with Topaz. Here is indeed a fascinating crystal and its metaphysical properties are equally intriguing too, as it is said that it promotes truth and forgiveness, expression, and the confidence to fulfil one’s aspirations. Topaz is also considered to have lunar connections, its colour and power waxing and waning in union with the moon’s cycle.
With all this being said, this new single that is just shy of six minutes, is a truly splendid voyage through the energies of Topaz, with Al on wind synths, Hans on his trusty cello, and Andy in the engine room bringing the drums, percussion, synths and brass, so all is set for a wonderful sojourn in this colourful and textured land of crystals.
The mood of the track reminds me in part of classic James Asher from the early part of the century, with a global fusion of indigenous and new age styled vibrations, there is also a sublime flow to the piece, the depth of Christian’s cello is something to enjoy, whilst the dynamic duo of Jewer and Mitran build, progress and manifest another creative and classy contemporary instrumental composition. This new offering is of the highest order, and one that surely has to be a massive hit for the artists.
"Sapphire" is the fifth single in the "Precious Stones Series" by Al Jewer (flutes) and Andy Mitran (synths) along with cellist Hans Christian. Quoting their promotional material: "'Sapphire' is a dreamy tapestry of flutes and cellos set in a bed of soothing synth pads and patterns that evoke calm, dreamy and peaceful images. A layered exploration like a wakeful dream." And that is, indeed, a very accurate description of this very smooth and hypnotic piece! Who couldn't use a gentle mind massage from time to time (or more often!)?!?! More ambient than melodic, the cello, flutes and synths float around and weave within each other, creating a rich listening experience with full attention or very easy-going background music that will make you feel better either way.
"Sapphire" can be downloaded or streamed on Amazon, Bandcamp and Apple Music/iTunes. It can also be streamed on Spotify and Pandora. Be sure to give it a listen!
Kathy Parsons
2/12/2024